🙏Hindu
About Hindu Prayers
Mantra, stotra, chalisa, sahasranama, aarti, bhajan, suktam, shloka. English-language sources use these words more or less interchangeably, and they are not interchangeable — they name different forms, in different languages, from different centuries, doing different jobs. A mantra is a formula whose sound is held to be efficacious in itself, usually Sanskrit and usually short. A stotra is a composed hymn of praise, often by a named author working in an elaborate metre. A chalisa is forty verses in a spoken vernacular, medieval or later, and almost always narrative in feel. A sahasranama is a list of a thousand names, recited as a list. An aarti is a song sung while lamps are circled — across most of North India at the close of worship, though the position is regional, and in Maharashtra a Ganesha aarti opens a puja as well as ending it. This page sets out what each form is, when it emerged, what language it is in, and where it sits in an actual sequence of worship — which is the fastest way to make sense of a text you have been handed.
Aarti
View all 16
Om Jai Jagdish Hare
The most-sung Hindu aarti — written c. 1870, made universal by a film

Sukhkarta Dukhharta
Maharashtra's Ganesh aarti — 17th century, and Ramdas signs it himself

Jai Ambe Gauri
The Navratri aarti — and the fiercest iconography in household worship

Om Jai Shiv Omkara
The Shiva aarti that is really an argument about the Trimurti

Jai Lakshmi Mata
Diwali's aarti — and a claim about wealth that is not the obvious one

Jai Adhya Shakti
Gujarat's Navratri aarti — fifteen verses, one per lunar day
Chalisa
Mantra

Gayatri Mantra
Rigveda 3.62.10 — the oldest prayer still in daily use, word by word

Mahamrityunjaya Mantra
Rigveda 7.59.12 — the verse Hindus reach for in serious illness

Hindu Mantras
Vedic, beej and nama mantras — what each is and how japa works

Lakshmi Mantras
Shreem, the Mahalakshmi mantra and Sri Suktam — honestly explained


